This week it’s dubstep from Bug/Techno Animal mastermind Kevin Martin, Adam Smith being read to you in the new language of capitalism: Chinese. Italian psych-funk from 1970, lovely string-drenched pop from Field Music and the most catchy a capella song I’ve ever heard in a long time.
Somewhat miraculously, we got into this sold-out show at The Echo with Jay Reatard and Thee Oh Sees…two of the most rockin-est bands on the planet right now.
I’m sorry the Reatard pics kinda suck. The Echo doesn’t allow my fancy camera in the club anymore (I don’t know what they think I’m gonna do with them). The idiots don’t realize free promotion even when it hits them in the face!  Also…there are no Thee Oh Sees photos. Yeah Yeah I suck.
It was recommended to me by a guy at a local record store in 1978 and at that time I was pretty much only interested in The Beatles and when I heard this it just opened up a whole world of things.
Now this stuff is considered almost “classic rock”…but not then!
Time flies, to consider 3 of the 4 guys in this photo are dead already!
It seems all of a sudden there is a slew of great hip-hop droppin’.
I am loving the new Mr. Lif record. I wish more rap was this socially conscious. It seems like in the past rap was all about materialism, sex and status. How reactionary and conservative is that? Emulating the powered elite is just another form of slave mentality. Lif ain’t no slave though. He’s only unpopular.
I think that people should have democratic control over the profits that they produce. It is not real democracy until you have that. And the plain and simple definition of communism is people having democratic control over the profits that they create. Boots Riley (The Coup)
The Coup have long been one of my fave rap groups. They are infamous for largely two reasons. Firstly, because the singer has been a self-defined Communist since the age of 14 (and that is working in a genre which is all about wealth-acquisition)!
And secondly, the are famous (or perhaps infamous) for having created one of the most ill-timed album covers in music history. It was a cover that metaphorically was showing the power of music to destroy the foundations of capitalism. The cd was set to be released in September of 2001…and this is what it looked like:
Ok…do you see a problem with this particular image?
(They decided to ultimately change the cover).
Sure as concept it’s perhaps naive, but then again more than a few people said in the late 80′s that it was the power of music (and in that particular case) it was “rock n roll” that ultimately brought down Communism in Eastern Europe. In other words, the youth wanted a change! So perhaps it’s not naive at all…
Nonetheless, The Coup have always been at the margins of popular culture so I think it’s funny that he should team up with Tom Morello (from Rage Against The Machine) to form a rap/rock band called Street Sweeper Social Club to perform an almost hackneyed form of neo-classic rock.
As much as I want to say that this sound is old news…most the songs on their self-titled disc are pretty catchy and who knew that Riley was so charismatic as a rock n roll frontman?
I once saw Chuck D try do rock n roll and it didn’t really work…because even though his heart is certainly in the right place…he just looks like a schlub.
Boots has got style though. And style and commitment can get you far in this business.
And besides it gives him a new forum to indoctrinate suburban white kids’ minds.
Rock on!
My neighbors (behind us) are having a big party with their big soundsystem and woefully frozen musical tastes (why do so many people stop searching out music beyond their high school days)? That’s the case with these hosts.
I suppose it could be worse. At least it’s Cabaret Voltaire and not Lynyrd Skynyrd!
That got me thinking about videos of that era…
Here is one shot in Super 8 (from the German band Malaria) which would be so easy to recreate in a computer now but think about what went into making it in the early 1980′s. It’s pretty amazing that it works.
It’s been awhile since I offered up some music. It’s been a busy time for me (lots of drama) and I have a backlog of about 10 photo albums to put up soon, which should catch you up with some of it. Anyway, here’s a big playlist (to make up for not posting anything last month). A mix of old and new stuff and as usual, it’s all over the place
Of the new music, I love the new Sunn 0))), Jay Reatard, Thee Oh Sees as well as the Blank Dogs and James Blackshaw tracks. I know he’s hard for many of you to take but the Busdriver song is pretty stunning too–at least in terms of WPM (words per minute)…actually the whole thing, the words, even the video.
I’ve been quiet on the blogging front lately. This is due largely to all the stuff going on off-blog (in other words, my private realm). I have felt the need to kick-start things in motion lately.
I’m not at all sure of the ramification to come from doing this. That said, one thing I am sure of is the consequences of inaction.
This is a playlist for May.
Lots of riffage. Two J.K. Broadrick projects. Music about Eritrea and from Ethiopia.
Much More.
MURSl.a. (from Murray’s Revenge, 2006) TUXEDOMOONwhat use? (from Half Mute, 1980) CLOUDLAND CANYONkrautwerk (from Lie In Light, 2009) JESUdummy (from Pale Sketches, 2007) WHITE HILLSoceans of sound (from Heads On Fire, 2008) ACID MOTHERS TEMPLEstargate of the hell (from Glorify Astrological Martyrdom, 2008) CIRCLEstimulance (from Prospekt, 2007) GREY MACHINE vultures descend (from Disconnected, 2009) THE SOFT PACKon my time [formerly The Muslims] (from The Soft Pack, 2008) FUTURE OF THE LEFTarming eritrea (from Travels With Myself And Another, 2009) MULATU ASTATKE and the HELIOCENTRICSmasengo (from Inspiration Information, 2009) SHANNON WRIGHTwith closed eyes (from Over The Sun, 2004)
It’sApril and time for a fresh playlist of songs I have been listening to this week. This month’s list is more pop and garage rock-y than the previous one. Since I consider this a point of weakness, Spring must truly be here. As for the songs…the PJ Harvey is pretty great, as are the Thee Oh Sees and Death, Akron/Family, Bill Callahan and most everything else. I actually like the new Arcade Fire and Decemberists tunes (which is frankly, very surprising) but you really can’t go wrong with my monthly mixes, I mean, do I ever steer you wrong musically? Sure, you may think it kinda sucks at first listen, but that is just because you aren’t familiar with it yet..within 18 months later you’ll be telling your friends how you were into them “months ago”.
Well, now that Henry Rollins is on KCRW doing a show called “Harmonies In My Head” I am henceforth, changing the name of my own mp3 sampler series to the “Rebellious Jukebox” (after The Fall song, of course) featuring a mix of new and old songs (free from the constraints of genre boundries) reflecting a portion of what I have been listening to this month.
There are tons of shows in town over the next two weeks and I plan on seeing a bunch of them.
Last week, we went to see Manuel Göttsching (of Ash Ra Temple fame) do a live score for Murnau’s SCHLOSS VOGELÖD (The Haunted Castle, 1921).
As much as I liked the music…I have to admit that this early film of his is pretty boring. This was a year before Nosferatu, and well…the rest is history (or at least film history).
Upcoming shows I have interest in the next week are Eat Skull (Echo Curio), Wavves (Echo), Charlemagne Palestine (First Congregational Church of Los Angeles), Four Tet (Echo), Marnie Stern (Echoplex), Thee Oh Sees (Silverlake Lounge), Tera Melos (Echoplex), Blank Dogs/Naked On The Vague (Pehrspace), Pelican/Tombs (Troubadour) and of course The Homosexuals/Silver Apples show at the (Echoplex)…and this is just in the next week!
I took a sabbatical from seeing shows over the wintertime but…springtime is fast approaching and the hiatus appears to be over.
I guess the big show is Leonard Cohen on April 10-11 in LA. But as much as I love the guy, I just can’t pay those prices.